Digital collage · Archival giclée print · Sold unframed
Several photographs of natural granite captured in and around Muskoka, Ontario. In this collage, Hood first focused on continuations within the images aligning texture from several images. Then cut away to reveal the geometric shapes seen here.
What sets this piece apart is the limited use of transparency and blending modes. Images instead appear pushed side by side, relying entirely on shape, texture and raw imagery.
Nearly monochrome again, but a gray found in nature. Created to pair with Cut Trees.
Captured and collaged in 2025.
Multiple photographs are layered and blended, repeated and transformed in Hood's signature collage process. After a shoot, Hood edits photographs in batches, then hand-groups images for each new collage. Sometimes returning to images years later. The collage process is manual: image layers, transparency, blending modes, marquee tool, and image transform tools are used within Photoshop.
Several photographs of natural granite captured in and around Muskoka, Ontario. In this collage, Hood first focused on continuations within the images aligning texture from several images. Then cut away to reveal the geometric shapes seen here.
What sets this piece apart is the limited use of transparency and blending modes. Images instead appear pushed side by side, relying entirely on shape, texture and raw imagery.
Nearly monochrome again, but a gray found in nature. Created to pair with Cut Trees.
Captured and collaged in 2025.
Multiple photographs are layered and blended, repeated and transformed in Hood's signature collage process. After a shoot, Hood edits photographs in batches, then hand-groups images for each new collage. Sometimes returning to images years later. The collage process is manual: image layers, transparency, blending modes, marquee tool, and image transform tools are used within Photoshop.
Digital collage · Archival giclée print · Sold unframed